Musical perfromance

Música espanyola per a guitarra. Del romanticisme al nacionalisme – Carles Trepat (La Mà de Guido LMG2012. 1995) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Nationalism / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica

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El Albaicín – Carles Trepat (Nuevos Medios 158.40 CD. 2007) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916) / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916)

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Vita LATTES em português

Music / Performance Studies / Interpretive research methodology / Interpretation / Aestethics / Theory of musical interpretation / Musical Analysis / Musical perfromance / Theory of musical interpretation / Musical Analysis / Musical perfromance

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Venezuela en piano. Mariantonia Palacios

Piano Music / Musical perfromance / Venezuela Siglo XIX

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Vita LATTES in english

Aesthetics / Performing Arts / Performance Studies / Performativity / Interpretation / Musical Analysis / Musical perfromance / Musical Analysis / Musical perfromance

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La multimusicalidad de intérpretes en grupos de secuencias en Cali, Colombia

Musicology / Popular Music Studies / Popular Music / Ethnomusicology / Popular musicology / Erving Goffman / Etnomusicologia / Sociología De La Música / Musicality / Etnomusicología / Cali Valle / Sociologia Da Música / Cali, Colombia / Música Colombiana / Interacción Social / Musical perfromance / Interpretación Musical / Profesiones Musicales / Musicología / INTERAÇÃO SOCIAL / Bi-musicality / Multimusicalidad / Erving Goffman / Etnomusicologia / Sociología De La Música / Musicality / Etnomusicología / Cali Valle / Sociologia Da Música / Cali, Colombia / Música Colombiana / Interacción Social / Musical perfromance / Interpretación Musical / Profesiones Musicales / Musicología / INTERAÇÃO SOCIAL / Bi-musicality / Multimusicalidad

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BIO EN

Music / Musicology / Philosophy / Aesthetics / Contemporary Art / Philosophy of Art / Music Aesthetics / Electronic Music / Contemporary Music / Film Aesthetics / Ästhetik / Música / Musical aesthetics / Musical perfromance / Philosophy of Art / Music Aesthetics / Electronic Music / Contemporary Music / Film Aesthetics / Ästhetik / Música / Musical aesthetics / Musical perfromance

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Prelúdio nº 3 de Heitor Villa-Lobos: considerações sobre um processo interpretativo

Musical Interpretation / Heitor Villa-Lobos (1887-1959) / Musical perfromance / Historically Informed Performance

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Proyecto: Letra, imagen, sonido. Convergencias y divergencias metodológicas y teóricas en el estudio de las relaciones entre los medios y el espacio urbano

Urban Anthropology / Urban Studies / Ethnography of urban spaces / Espacio Publico / Semiótica, comunicación y cultura / Urbanism, Semiotics, New Media / Semiotica / Urban Space / Música y estudios culturales / Semiótica musical / Medios De Comunicacion Y Opinion Publica / Semiología Musical / Espacios públicos: prácticas y apropiación / Musical perfromance / Sémiologie Des Médias / Urbanism, Semiotics, New Media / Semiotica / Urban Space / Música y estudios culturales / Semiótica musical / Medios De Comunicacion Y Opinion Publica / Semiología Musical / Espacios públicos: prácticas y apropiación / Musical perfromance / Sémiologie Des Médias

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El Guayabero músico cubano de Buena Vista Social Club

Musical Composition / Cultural Heritage / Cuban Studies / Música / Musical perfromance / José Millet author

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\"Y entonces... \'El tributo a Sylvia Rexach\'\"

Women Composers And Musicians / Caribbean Music / Musical Theater / Musical perfromance / Bolero

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El networking musical porteño: el tango en la ciudad mediatizada

Tango / Tango (Music) / Industrial Music / Música / Latin American music, performance practices, transnationalism, and transmission and hibridity with focus on Argentinean folklore and tango. / Performance Musica Popular / Tango Performance Practices / Música Popular / Argentine Tango music / Música Popular Argentina / Tango Buenos Aires / Música Popular Massiva / Musical perfromance / Industria Musical / Argentine Tango / Performance Musica Popular / Tango Performance Practices / Música Popular / Argentine Tango music / Música Popular Argentina / Tango Buenos Aires / Música Popular Massiva / Musical perfromance / Industria Musical / Argentine Tango

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Perfil Profesional para un PROMOTOR EJECUTIVO MUSICAL-Colombia

Management / Music / Musical Composition / Early Music / Music Education / Musicology / Music Technology / Popular Music Studies / Becoming an Artist--who becomes one, how, why, under what circumstances, at what costs / Music and Language / Computer Music / Film Music And Sound / Music Psychology / New Interfaces for Musical Expression / Musical acoustics / Sociology of Music / Electronic Music / Music Cognition / International Mangement / Contemporary Music / Artists' Books / Women Artists / Artistic Research of Music / Musical Instruments / Business Management / Música / Música Popular Brasileira / Comunicacion Artistica Y Discurso Estetico / Makeup Artists / Semiología Musical / Portuguese and Brasilian Music / Musical perfromance / Young Brtish Artist / Artists’ Books / Marketing mangement / Artists, Self-Promotion / Musicology / Music Technology / Popular Music Studies / Becoming an Artist--who becomes one, how, why, under what circumstances, at what costs / Music and Language / Computer Music / Film Music And Sound / Music Psychology / New Interfaces for Musical Expression / Musical acoustics / Sociology of Music / Electronic Music / Music Cognition / International Mangement / Contemporary Music / Artists' Books / Women Artists / Artistic Research of Music / Musical Instruments / Business Management / Música / Música Popular Brasileira / Comunicacion Artistica Y Discurso Estetico / Makeup Artists / Semiología Musical / Portuguese and Brasilian Music / Musical perfromance / Young Brtish Artist / Artists’ Books / Marketing mangement / Artists, Self-Promotion

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¡Que viva Changó! Música y religiosidad en el Perú en tres décadas

Religion / Santeria / Inmigration, Transnacionalismo / Antropología Social / Sociología de la Cultura / Musical perfromance

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Música, músicos y redes en el espacio urbano

New Interfaces for Musical Expression / History of Popular Music / Musical Semiotics / History of music / Cultural History of Music / Musical Analysis / Semiótica musical / Historia de los medios / Música Popular / Semiología Musical / Música Popular Massiva / Musical perfromance / Musical Analysis / Semiótica musical / Historia de los medios / Música Popular / Semiología Musical / Música Popular Massiva / Musical perfromance

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PRÁCTICA CREATIVA Y REFLEXIÓN EN LA INTERPRETACIÓN DE LOS CICLOS DE ROMANZAS PARA CONTRALTO, 1° Y 2°, DE MODESTA BOR. Por Inés Feo La Cruz.

Educación Musical / Musical perfromance / Música tradicional latinoamericana

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